Film noir and hard-boiled love story shot in black & white and on video, with wonderful camerawork, montage and casting about the hard female cop Miki who makes a minor error and then has to clean up the tracks. With a cameo role by director Tsukamoto Shinya. Nagasaki could easily have taken the Miike route in the 1990s, churning out four or five direct-to-video features a year...
90年代的日本黑白片總有種悶騷感。遠藤憲一好年輕,有些羅嘉良的感覺。近藤的配樂也顯得飄渺。
黑白就喜欢
女主美 可惜
悬念设置得很高级,让人欲罢不能。
作为系列作品,这部依然保持了高水准。
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