Based on the negatives of a film shot in India in wealthy bourgeois circles in the late 1920s, when anticolonial tensions were running high: the filmmakers deconstruct the images, repeat them, reframe them, colourise them, searching for the behaviour and attitudes of Westerners in the East. The film comprises two parts; street scenes that seem like a catalogue of poverty, and a...
他们的放慢让人心跳得很快
This is the kind of work that demand a lot from the audience. It must demand so much to do justice to the image of colonial violence. It’s the kind of work that does not speak but is holding firmly so much semantic and affective space
题材大胆、现实立意深刻,抓住社会痛点,剧本扎实。伊凡·吉亚尼谦,安吉拉·里奇·鲁奇在影视创方面的确很厉害,希望剧情片多来点这种影视剧,强烈安利大家这部《东方影像:破坏式旅游 Images d'Orient: Tourisme vandale 》。
特效场面震撼,绝对是视觉上的饕餮盛宴。
结局处理得干净利落,没有强行圆满。
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